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September 27, 2005

'Bill Clinton was briefing Elvis Costello '

The New Republic reports -
( extract)

It was almost midnight at the Manhattan ( Sept. 15th) sushi hotspot Nobu Fifty Seven, and Bill Clinton was briefing Elvis Costello on the future of New Orleans. "First you've got to flush the lake. Just flush it," Clinton explained. Between the low thrum of club music and the starstruck admirers jockeying for position, it was impossible to hear much more, but one thing was clear: Clinton was really enjoying himself. As several celebrities--including Jeremy Piven of HBO's "Entourage," millionaire playboy Steve Bing, and the dapper Nobu himself--hovered on the margins, Clinton talked on ... and on ... and on. A few minutes earlier, Costello had looked starstruck himself. But now, his enthusiasm seemed to be waning. In fact, as Clinton droned on, I detected a certain glaze forming behind the smartly dressed rocker's famous black-rimmed glasses.

Elvis sings for New Orleans

Higher Ground Hurricane Relief Benefit Concert on Saturday, September 17 -
Elvis sang a heartbreaking version of 'Freedom for the Stallion'
with Allen Toussaint after making some comments on New Orleans
and the goverment's policy, etc.

"From the Big Apple to the Big Easy," Madison Square Garden , Sept. 20 -
After singing gritty R&B with Toussaint's band, Elvis Costello joined the Dirty Dozen and Bartholomew to voice the latter's ever-hip sociological commentary "The Monkey (Speaks His MInd )." Costello followed a moody version of "On Your Way Down" with a funky, upbeat "Yes We Can."

A Jazz and Creative Music All-Star Benefit for the Artists of New
Orleans, Angel Orensanz Center for the Arts, 172 Norfolk St
Tuesday September 20, 2005

A fan reports

...he(EC) was great last week with the
Jazz Passengers at a downtown New Orleans benefit, arriving very late
after the bigger uptown benefit, but just in time to sing the hell out
of a "Fire Suite" from Keaton's Bar & Grill and lead the non-stationary
parts of the band in a very New Orleanian procession through the crowd.

Town Hall on West 43rd St. , Sept. 24th
Elvis Costello emerged from the wings with his guitar and sang a powerful song (which he later told me he'd written that afternoon) called "River in Reverse."

September 11, 2005

Elvis in Sam Cooke tributes , Nov. 5/6 '05

The Cleveland Plain Dealer reports -

(extract)
Aretha Franklin, Elvis Costello, the Dixie Hummingbirds and the Blind Boys of Alabama are among the artists set to sing the praises of Sam Cooke during the Rock and Roll Hall of Fame and Museum's American Music Masters salute to the quintessential soul man.

They'll celebrate Cooke's pop music in concert at 8 p.m. Saturday, Nov. 5, at Playhouse Square's State Theatre. Also on the bill are former J. Geils Band frontman Peter Wolf, Taj Mahal, Cissy Houston, Otis Clay and William Bell.

Most of those performers -- including Franklin -- will be joined by Lou Rawls for a second show at 6 p.m. Sunday, Nov. 6, at the State Theatre, with the focus on the gospel side of Cooke's career.

Tickets On Sale on 09/16/05

MUSIC

Aretha on list for Rock Hall's Cooke salute
Sunday, September 11, 2005
John Soeder
Plain Dealer Pop Music Critic

Aretha Franklin, Elvis Costello, the Dixie Hummingbirds and the Blind Boys of Alabama are among the artists set to sing the praises of Sam Cooke during the Rock and Roll Hall of Fame and Museum's American Music Masters salute to the quintessential soul man.

They'll celebrate Cooke's pop music in concert at 8 p.m. Saturday, Nov. 5, at Playhouse Square's State Theatre. Also on the bill are former J. Geils Band frontman Peter Wolf, Taj Mahal, Cissy Houston, Otis Clay and William Bell.

Most of those performers -- including Franklin -- will be joined by Lou Rawls for a second show at 6 p.m. Sunday, Nov. 6, at the State Theatre, with the focus on the gospel side of Cooke's career.

"It's fairly courageous to do two concerts," says Warren Zanes, the Rock Hall's vice president of education.

"But with Sam Cooke, you can't not give his gospel music as much attention as his pop music gets. It's appropriate for him."

Cooke, the son of a Baptist minister, was among the first performers inducted into the Rock Hall in 1986. Three years later, the hall also enshrined the Soul Stirrers, the gospel group in which Cooke got his start before he became a solo superstar on the pop charts.

He scored his first No. 1 single in 1957 with "You Send Me." More than two dozen other Top 40 hits followed for the native of Clarksdale, Miss., including "Chain Gang," "Twistin' the Night Away" and "Another Saturday Night."

The Rock Hall expects to line up additional artists for both concerts in Cooke's honor.

The performances are part of "A Change Is Gonna Come: The Life and Music of Sam Cooke," the 10th annual installment of the Rock Hall's American Music Masters series, presented in conjunction with Case Western Reserve University.

The weeklong event commences Monday, Oct. 31.

Also on the agenda is an academic symposium Saturday, Nov. 5, at Case's Ford Auditorium, with appearances by Cooke's brother L.C. Cooke, Leroy Crume of the Soul Stirrers and National Association for the Advancement of Colored People chairman Julian Bond, among others. Peter Guralnick, author of "Dream Boogie: The Triumph of Sam Cooke" (to be published next month), will deliver the conference's keynote address.

Cooke was shot dead in 1964 at the age of 33. A motel manager in Los Angeles said she killed Cooke in self-defense after he tried to attack her. It was ruled a justifiable homicide.

Tickets for both Cooke tribute concerts go on sale Friday through Tickets.com outlets, or charge by phone, 1-800-766-6048 or 216-241-6000. Rock Hall members can buy tickets starting Monday by calling 216-515-8427.

Tickets for the Saturday show are $20, $30 and $40. Tickets for the Sunday show are $15, $25 and $35.

If you purchase a ticket for the Saturday concert, you can buy a ticket to the Sunday concert for half-price.

Group discounts for parties of 20 or more are available for the Sunday show. Call 216-515-1228.

Tickets for the symposium, $30, go on sale Friday at Ticketmaster outlets, or charge by phone, 216-241-5555 (Cleveland) or 330-945-9400 (Akron).

To reach this Plain Dealer reporter:

jsoeder@plaind.com, 216-999-4562


© 2005 The Plain Dealer
© 2005 cleveland.com All Rights Reserved.

Two more benefit appearances by Elvis

Arts for Art, Inc. and the Angel Orensanz Foundation present
Vision Artists for New Orleans
A Jazz and Creative Music All-Star Benefit for the Artists of New
Orleans
Tuesday September 20, 2005 5:30 PM
including
* Jazz Passengers with Deborah Harry and Elvis Costello

Ticket Info
Angel Orensanz Center for the Arts, 172 Norfolk St (just S. Of Houston)
5:30pm to midnight, Tickets $30 only at the door.

The New Yorker hosts an evening of words and music from New Orleans and
the Delta. Performers and readers will include Lou Reed, Elvis Costello,
Woody Allen, Buckwheat Zydeco, Little Queenie, The ReBirth Brass Band, Kevin
Kline, Toni Morrison, Richard Ford, and others.

TOWN HALL
123 WEST 43RD ST,NYC
SAT SEP 24, 2005 7:30PM

Two more benefit appearances by Elvis -


Arts for Art, Inc. and the Angel Orensanz Foundation present
Vision Artists for New Orleans
A Jazz and Creative Music All-Star Benefit for the Artists of New
Orleans
Tuesday September 20, 2005 5:30 PM

The order of appearances:
5:30 pm The Little Huey Creative Music Orchestra and friends
* Masada John Zorn and Dave Douglas
* Tri-Factor, w/ Hamiet Bluiett, Billy Bang & Kahil El-Zabar
* Bill Dixon (solo trumpet)
* Matthew Shipp, William Parker, Whit Dickey Patricia Nicholson
* Henry Grimes, Oliver Lake, Ted Daniel, Cooper-Moore
* Kidd Jordan, Clyde Kerr, J.D. Parran, Reggie Workman, Kali Z.
Fasteau,
Alvin Fielder
* Muhal Richard Abrams (solo piano)
* Jazz Passengers with Deborah Harry and Elvis Costello
* Kidd Jordan, William Parker, Roy Campbell. Hamid Drake
* Amiri & Amina Baraka
* Yo La Tengo w/ Other Dimensions in Music

Emcees - Steve Buscemi, Steve Dalachinsky & Patricia Nicholson
each performance will be from 10mins to 30mins in length

Ticket Info
Angel Orensanz Center for the Arts, 172 Norfolk St (just S. Of Houston)
5:30pm to midnight, Tickets $30 only at the door.

Proceeds from the event will go to New Orleans artists.

-------------------------------------------------------------------------------------

The New Yorker hosts an evening of words and music from New Orleans and
the
Delta. Performers and readers will include Lou Reed, Elvis Costello,
Woody
Allen, Buckwheat Zydeco, Little Queenie, The ReBirth Brass Band, Kevin
Kline, Toni Morrison, Richard Ford, and others. The New Yorker will
donate
all proceeds from this event to the American Red Cross, and Condé Nast
Publications, Inc., will match the donation. Ticketmaster had kindly
agreed
to waive all service charges for this event.
US $50.00 - US $250.00

Internet Onsale Info
Onsale to General Public:
Mon, 09/12/05 09:00 AM EDT

PARTING THE WATERS
HURRICANE KATRINA BENEFIT

TOWN HALL
123 WEST 43RD ST,NYC
SAT SEP 24, 2005 7:30PM

September 6, 2005

Elvis playing HURRICANE RELIEF BENEFIT , NY , Sept. 17th

JAZZ AT LINCOLN CENTER ANNOUNCES
HIGHER GROUND HURRICANE RELIEF BENEFIT CONCERT -
WYNTON MARSALIS, BILL COSBY, PETER CINCOTTI, ELVIS COSTELLO, PAQUITO D’RIVERA, ABBEY LINCOLN, DIANA KRALL, JON HENDRICKS AND MORE TBA!

SEPTEMBER 17 at 7pm
ROSE THEATER, FREDERICK P. ROSE HALL, NEW YORK CITY

BROADCAST ON NATIONAL PUBLIC RADIO, XM SATELLITE RADIO,
WBGO JAZZ 88.3 FM, AND OTHER BROADCAST PARTNERS TBA
CD will be produced and released by Blue Note Records with all profits going to relief funds

September 5, 2005

Elvis Costello crooned in that hoarse, yearning snarl of his

The Seattle Times comments

extract

Bumbershoot started easy as a Sunday morning yesterday, with plenty of street parking, few lines and uncrowded walkways. But by midafternoon, festival-goers crowded Seattle Center and lines formed at the most popular food booths and for many of the performances.

The big turnout was no surprise as Sunday boasted the biggest name of the four-day fest: British rock icon Elvis Costello. He closed out the day on the Mainstage in one of those special concerts that only happen at Bumbershoot. Playing solo at the stadium, Elvis Costello crooned in that hoarse, yearning snarl of his, accompanied only by the furious strumming of his own acoustic guitar. The air was wet and still and thick from the twilight rain, carrying his voice over the hushed standing crowd and up to the stands.

"Good to be here," he said, relaxed and friendly. "Feels just like a local gig."

Wearing a little red fedora and black leather jacket, Costello ran through his tunes with stripped-down zeal, the audience singing along on the payoff lines: "Red Shoes," "Rocking Horse Road" (with a snippet of "Wild Thing" tossed in the middle), "Pads, Paws and Claws," "Every Day I Write the Book," "Brilliant Mistake," invoking his ambivalent world of loves won, lost and only contemplated. Nice night.

September 2, 2005

Elvis/Dublin - It's been three years

...since Elvis played Dublin, Ireland. Your Postmaster General has a right old moan about it.

'We have played from Adelaide to Assissi, from
Buxton to Berlin and from Copenhagen to Cain’s
Ballroom, Tulsa. '
Elvis , Aug. 05

Today , Sept. 2 , it's three years since Elvis
played a concert here in Dublin. As the above quote
shows he has recently played just about everywhere
else. So Dublin based fans just have to assume it has
been a conscious decision on his part not to play
here.

Thinking back to Sept. '02 it's interesting to
consider the circumstances of the show - which ,
ultimately , may have lead to Elvis extended absence
from Dublin stages.

It was a Monday evening show. The previous week
had seen a particularly insane bit of tour scheduling
for Elvis and co.. The week had started with shows in
Monaco and Switzerland. They then flew to New York for
an appearance on breakfast tv on the Friday morning.

The show in Dublin hadn’t sold out ; I met
people who had received free
tickets the weekend before, just to get seats filled.
Indeed this lack of sales meant the fixed seating in
front of the stage wasn't removed , something that
usually happens if sales are good. Just like this year
, the weather was very hot , with the unventilated
National Stadium being particularly humid. Most of the
'papered' audience were also tired after a typical
end-of-summer weekend. The venue usually hosts boxing
fights so the staff are usually former pugilists ,
with all the menacing , stony faced bulk that comes
with that.

Into this oppressive atmosphere arrives a ,
possibly , jet-lagged Elvis and co. So many other
factors were also, for Elvis , part of this trip to
Dublin. This was the city where his relationship with
Cait was ending. It was also where he had spent part
of the summer helping his mother come to live. A
hundred and one things must have been going through
his mind. Of course , most fans wouldn't have known all that at the time.

A lame performance by Chris Difford left
crowd particularly relaxed. Elvis and co.
started....and stopped after a few songs. Elvis just
wasn't happy with the sound and everyone left the
stage while it was sorted out. Combined with the heat
, this loss of momentum was never really recovered.

Back then Elvis had the particularly
tiresome stage technique of , after an hour ,
'finishing' and saying goodbye. Us regulars knew it
was a ruse - many of the more casual fans didn't and
left. Talking to some days later I was told that they
just couldn't wait to get out , the show was shite
etc.

The show , of course , picked up in the
'second half' , with a lot of those remaining
eventually getting to their feet and crowding the
stage front. Come the evenings end most were happy.
I was somewhat under whelmed. It was the first tour
I had followed on the 'net . All that hot summer I
seemed to be reading about great shows etc. And now I
had seen a show that a walked away from without that
feeling of elation that I remembered from past
concerts.

Perhaps Elvis was pre-occupied by things and
just was not up to going that little bit that was
needed to provoke the audience. Or maybe it was just
the hot, muggy conditions. Put it down to bad
circumstances , I thought . He'll do better next time
which , considering his almost yearly Dublin
appearances since 1978 , would be soon enough.


As I said , here we are , three years later
and not one show. Travelling to see him , as I have ,
in the U.S. , Scotland ( twice) and England (and
Denmark next month) since has been great. I have been
able to combine it with sight-seeing etc. and have met
loads of Costello fans, getting all kinds of
perspectives on his work etc.


However I'd love to see him back here. I'm tired
of telling people here how great his shows and the
two recent albums are , and getting polite, blank
faces,and mumbled comments about past glories. Since
nearly very major - and minor- act includes at least
one Irish date in their schedule Elvis' total
invisibility means he is being forgotten. And that
is a shame.

He did make an Irish appearance of sorts in Dec. 02. Co-hosting the radio show Mystery Train (from presumably the Donnybrook ,
Dublin RTE studios , but a unattributed link from a
U.K. location wouldn't have been out of the question)
he spoke of having just that day finished a song for
Howard Tate. It was , of course , Either Side Of The
Same Town. Singing it in Memphis in 2004 ( April 18.
04, early show) he , in the middle of the song ,
commented -

' This here song is about when you have an
'ex' who lives in the same town as you , you might see
somebody come down the street and think they look
awfully familiar , maybe they used to be the person
you loved, maybe it's the other way around....'

It's lyric may tell us all we need to know about the reasons for his absence -


Nothing will ever be the same
All of the promises we made seem hollow
But there are still streets in this town
Marked with your shadow

So if you see me, look surprised
If you don’t, then pass me by
And I may even brush your sleeve
As you turn to leave

Now it’s hard to act like strangers
When we used to be so strong
Everything is changing
And most of it is wrong
What do we know of anything?
Two fools of some renown
Either side of the same town

Somewhere, there’s a light
I can sense it
Oh, though I may fall back again
Although it’s a fight
I know I must remain

Now it’s hard to keep ignoring
Someone you recognize
And if I seem contented
It’s only my disguise
What do we know of anything?
Two fools of some renown
Either side of the same town