CostelloNews.com

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Denver review - http://www.rockymountainnews.com/drmn/music/article/0,1299,DRMN_54_2115673,00.html

Costello, in a roundabout way,
always leads back to rock roots

July 17, 2003

More than most artists, Elvis Costello has fans that
will willingly follow whatever side trip he's doing,
be it orchestras, string quartets, jazz standards or
a stint with Burt Bacharach.

Part of the reason is that there's always something
interesting in those projects.

But they also know he'll always get his fill then
come back to this - ripping through his repertoire
with a rock band.

Wednesday night's show was another richly satisfying
return to the songs that established Costello as one
of the finest writers of the rock era.

Kicking off with I Hope You're Happy Now from the
overlooked Blood and Chocolate album, Costello powered
through a set that combined his biggest hits (Pump It
Up, Radio Radio, Everyday I Write the Book) with songs
from his latter-day albums.

Particularly fine was a ramrod version of Complicated
Shadows, a track from All This Useless Beauty that is
as musically driving and lyrically sharp as anything
in his songbook.

For every deep album cut such as Clown Strike or Just
About Glad, he'd come back with a crowd favorite,
superbly performed.

Backing band The Imposters features drummer Pete Thomas
and keyboardist Steve Nieve, both virtuosos in their
own right. The addition of bassist Davey Faragher eased
old tensions in the band and also added some badly
needed backing vocals.

The only thing that marred the evening was an odd
incident where, barely an hour into the show, Costello
abruptly chopped off the set and left the stage,
surprising even his band. The musicians left, the house
lights came on and it seemed the show was over.

But a few minutes later Costello came back and wowed the confused crowd with a strong, if less animated, set of encores, heavily stocked with early classics (I Don't Want to Go to) Chelsea, Man Out of Time, Less Than Zero, Honey Are You Straight or Are You Blind and more.

He also dug out chestnuts such as Wondering from the
country album Almost Blue and I Can't Stand Up For
Falling Down from Get Happy.

Chris Robinson of the Black Crowes opened the show with
a combination of cover songs and originals that showed
he shouldn't quit his day job with the Black Crowes.
Huh? He what? Uh oh.

.